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A1+

Nothing Else Matters

Metallica

Language
English
Released
1991
Genre
heavy metal
Level
A1+
Difficulty score
459
Duration
6:28

How to study this song

The card for “Nothing Else Matters” is built from 29 study entries at A1+: 9 English words, 5 adjectives and 15 verb forms. Work through the glossary first: heart, way and life are the words you will lean on most. This one leans on its verbs: 15 distinct forms against 5 adjectives, so conjugation is where the effort goes. At this level the goal is recognition: hear a word, place it, keep going.

The words of this song, in several languages

Every word below is taken from this song and translated by us. Nothing here is the lyric itself — these are the individual words you need in order to follow it.

Vocabulary

ENESITFRPTNLDE
heartcorazóncuorecœurcoraçãohartHerz
waymanera, formamodofaçonmaneiramanierArt, Weise
lifevidavitavievidalevenLeben

This card holds 6 more words. You meet them when you play the song.

Adjectives

What this song teaches you

Level · A1+

Vocabulary words
9
Adjectives
5
Word combos
5
Expressions
10
Verb forms
15
Quiz questions
35

More English songs at this level

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  • Under the Bridge — Red Hot Chili Peppers (1991)A1+
  • I Will Always Love You — Whitney Houston (1992)A1+
  • Roar — Katy Perry (2013)A1+

Background

About the song

«Nothing Else Matters» is the ballad at the centre of «Metallica», the self-titled fifth album that the American band released in August 1991 and that most fans simply call «the Black Album». It came out as a single on 20 April 1992 in the United States and a week later in Europe, the third single from the record after «Enter Sandman» and «The Unforgiven». For a band that had built its reputation in the 1980s on fast, aggressive thrash metal, releasing a slow love song with an orchestra behind it was a genuine risk. It turned out to be one of the most important decisions of their career.

The song began as something James Hetfield never intended to share. In 1990 the band was on tour and Hetfield, the singer and rhythm guitarist, was unhappy about spending so long away from home. According to the band’s own account, the gentle guitar figure that opens the track came to him while he was on the phone with his girlfriend, holding the guitar in one hand. He worked it into a complete song for himself, as a private piece, and he was reluctant to show it to the others because he felt it did not fit the image of Metallica. It was the drummer Lars Ulrich who heard it and insisted that it belonged on the album.

The lyric is short and very direct. It is addressed to someone the singer trusts completely, and its idea is that distance changes nothing when two people are truly close. The singer admits that he has never opened up in this way before, says that the words he offers are meant sincerely, and describes each new day together as something fresh. Against that closeness he sets the rest of the world: the opinions, habits and schemes of other people, which he explicitly refuses to worry about. The title sums up the whole message. When the bond is strong enough, nothing outside it is important.

That message is carried by very plain English, which is exactly why the song is so useful to a learner. Almost every word belongs to the first thousand words of the language: heart, life, day, mind, trust, close, far, new. The interest lies in the way the lines are built. The subject is often left out at the start of a line, as people do in speech and in songs; one line moves the object to the front for emphasis; and the refrain rests on the structure «no matter how», the standard way English says that a condition makes no difference. Possessives and pronouns such as our, ours, us and myself appear within a few lines of each other, which makes the lyric a compact review of that area of grammar.

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ENESITFRPTNLDE
closecerca, cercanovicinoprochepertodichtbijnah, nahe

This card holds 4 more adjectives. You meet them when you play the song.

Verb forms

ENESITFRPTNLDE
couldn't beno podría sernon potrebbe esserene pourrait pas êtrenão podia serzou niet kunnen zijnkönnte nicht sein
trustingconfiandofidandocien ayant confianceconfiandovertrouwendvertrauend
aresomossiamosommessomoszijnwir sind
mattersimportaimportacompteimportadoet ertoezählt
openedabrího apertoj’ai ouvertabriopendeich öffnete
isesèestéisist
livevivimosviviamovivonsvivemoslevenwir leben
don't just sayno digo sin másnon dico e bastaje ne dis pas justenão digo só por dizerzeg ik niet zomaarich sage das nicht einfach so

This card holds 7 more verb forms. You meet them when you play the song.

Musically the track is built on the arpeggio Hetfield found on tour, played on a clean electric guitar, and it grows slowly until the band and the orchestra enter together. The orchestral arrangement was written by Michael Kamen, a composer known for film scores, and the recording was produced by Bob Rock together with Hetfield and Ulrich, at One on One studios in Los Angeles. It is one of the very few Metallica recordings on which the lead guitarist Kirk Hammett does not play: Hetfield recorded the guitar solo himself. The first demo of the song dates from August 1990, a year before the album was released.

Did you know?

The album «Metallica» was the first the band made with the producer Bob Rock, who had worked with mainstream rock acts. The sessions were long and tense, and Rock later said that for a while he swore he would never work with the band again. He went on to produce their next records all the same.

The music video was directed by Adam Dubin and put together from footage shot for the documentary «A Year and a Half in the Life of Metallica», which followed the making of the album. It premiered on MTV on 25 February 1992. In August 2021 it passed one billion views on YouTube, the first Metallica video to reach that figure.

In April 1999 the band played two concerts in Berkeley, California, with the San Francisco Symphony, again with arrangements by Michael Kamen. The live album «S&M» came out of those nights, and the new orchestral version of the song was released as a single in November 1999. In several European countries it did even better than the original: it reached number one in Flanders and number two in Germany.

The song has been recorded by a remarkable range of artists. The British singer Lucie Silvas released a piano version as a single in 2005. In 2021, for the tribute album «The Metallica Blacklist», Miley Cyrus recorded it with Elton John on piano, the cellist Yo-Yo Ma, Metallica’s bassist Robert Trujillo and the drummer Chad Smith. That same year an instrumental version made with the composer James Newton Howard was used in the Disney film «Jungle Cruise».

Because it speaks of closeness across distance, the song has become a favourite for weddings and for couples who live far apart, a use that would have surprised the heavy metal audience of 1991. Metallica still play it at almost every concert and usually dedicate it to their fans.

Charts & streaming

The single reached number one in Denmark, number four in the Netherlands, Finland and Italy, number five in Flanders, Switzerland and Spain, and number six in the United Kingdom and Ireland. It peaked at number eight in Australia, nine in Germany and ten in France. In the United States it reached number 34 on the Billboard Hot 100 and number 11 on the Mainstream Rock chart, a modest position for a song that would later become one of the band’s best known.

Its sales have kept growing for decades, especially since the arrival of downloads and streaming. The single has been certified seven times platinum in Australia, six times platinum in New Zealand and double platinum in the United Kingdom, Germany, Denmark, Italy and Spain. It is gold in the United States, Austria, Belgium, Brazil and Sweden.

The album it comes from is one of the most successful rock records ever made. «Metallica» entered the Billboard 200 at number one and stayed there for four weeks, has sold more than 30 million copies worldwide, and is the best-selling album in the United States since Nielsen SoundScan began tracking sales in 1991. «Nothing Else Matters» is a large part of the reason: it opened the band’s music to listeners who had never cared for heavy metal.