Nessun Dorma
by Andrea Bocelli
How to study this song
Learning “Nessun Dorma” means 40 entries at B1+ — 19 Italian words, 4 adjectives and 17 verb forms, every one taken from what the song actually says. Work through the glossary first: principessa, stanza and stelle are the words you will lean on most. This one leans on its verbs: 17 distinct forms against 4 adjectives, so conjugation is where the effort goes. At this level part of the list will already be familiar; the rest is what closes the gap.
The words of this song, in several languages
Every word below is taken from this song and translated by us. Nothing here is the lyric itself — these are the individual words you need in order to follow it.
Vocabulary
| IT | EN | ES | FR | PT | NL | DE |
|---|---|---|---|---|---|---|
| principessa | princess | princesa | princesse | princesa |
What this song teaches you
Level · B1+
- Vocabulary words
- 19
- Adjectives
- 4
- Word combos
- 14
- Expressions
- 7
- Verb forms
- 17
- Quiz questions
- 35
Background
About the song
«Nessun dorma», "Let no one sleep", is a tenor aria from «Turandot», the last opera by Giacomo Puccini, written to a libretto by Giuseppe Adami and Renato Simoni and based on a 1762 play by the Venetian writer Carlo Gozzi. This card follows the version that Andrea Bocelli recorded in 1995 for «Viaggio italiano», his third studio album and the first he devoted entirely to classical repertoire. The aria is the opening track of the album, and Bocelli sings it with the Moscow Radio Symphony Orchestra conducted by the Russian conductor Vladimir Fedoseyev.
The opera is set in Peking in a legendary past. Princess Turandot has sworn to marry only a man of royal blood who can solve three riddles, and every suitor who fails is put to death. An unknown prince, Calaf, answers all three. When the princess begs to be released from her promise, he offers her a way out: if she discovers his name before dawn, he will accept death; if she does not, she must marry him. Turandot answers with a decree that nobody in the city may sleep that night until the stranger has been identified.
The aria opens the third act. Calaf is alone in the palace gardens at night while heralds repeat the order through the streets. He picks up their words and turns them into a reflection on the princess, who is also awake in her rooms, looking at the sky. His secret, he says, is safe: he will reveal who he is only when daylight comes, and he is sure that a kiss will melt her coldness. Offstage, a chorus of women laments that everyone will pay with their lives if the name stays unknown. Then the tenor calls on the darkness to end and the stars to fade, and closes on the word «vincerò», "I will win", which has carried the aria far beyond the opera house.
Musically the piece is short, around three minutes, and built on one long melody that grows each time it returns. Its final phrase climbs to a high B, which tenors traditionally hold for a long time before ending on an even longer A. English Wikipedia points out that Puccini’s score does not actually ask for those sustained notes: they are a performance tradition. Bocelli’s recording keeps them, and that climax is the moment most listeners remember.
For a learner of Italian, the text is a compact lesson in the poetic language of opera. It uses the present subjunctive to give an order to a third person (the title itself means "let no one sleep"), a series of simple futures for what dawn will bring, singular and plural imperatives addressed to the night and to the stars, and the shortened verb forms typical of librettos, where a word drops its final vowel to fit the music. It also shows the vocative «o» placed before a noun, a feature of formal and poetic Italian, and an old exclamation of sorrow that modern speakers use mostly in jest.