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B1-

Era già tutto previsto

Riccardo Cocciante

Language
Italian
Released
1975
Genre
pop
Level
B1-
Difficulty score
688
Duration
4:12

How to study this song

The card for “Era già tutto previsto” is built from 51 study entries at B1-: 10 Italian words, 5 adjectives and 36 verb forms. Start with the glossary: amici and cose come up again and again, so they are the ones to know first. This one leans on its verbs: 36 distinct forms against 5 adjectives, so conjugation is where the effort goes. At this level part of the list will already be familiar; the rest is what closes the gap.

The words of this song, in several languages

Every word below is taken from this song and translated by us. Nothing here is the lyric itself — these are the individual words you need in order to follow it.

Vocabulary

ITENESFRPTNLDE
amicifriendsamigosamisamigosvriendenFreunde
cosethingscosaschosescoisasdingenDinge

This card holds 8 more words. You meet them when you play the song.

Adjectives

ITENESFR

What this song teaches you

Level · B1-

Vocabulary words
10
Adjectives
5
Word combos
7
Expressions
11
Verb forms
36
Quiz questions
35

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  • Canto d’amore — Angelina Mango & Marco Mengoni (2026)B1-

Background

About the song

«Era già tutto previsto» is the fourth track on «L’alba», the fourth studio album by Riccardo Cocciante, released in June 1975 by RCA Italiana. The record was produced by Marco Luberti, Cocciante’s long-time writing partner, and arranged by Sergio Rendine, with contributions from Lucas Sideras and Niko Papathanassiou. It was recorded in Studio A at RCA in Rome, the studio where much of the Italian singer-songwriter music of the decade was made. Like almost every song on the album, it is credited to Cocciante and Luberti.

The album arrived at the right moment. A year earlier Cocciante had broken through with «Bella senz’anima», a furious song about a man confronting the woman who is leaving him. It was a major hit, and it was also controversial: it was considered sexist and was censored on Italian television. «L’alba» built on that success. It climbed to number two on the Italian album chart, in a season when the soundtrack of Dario Argento’s «Profondo rosso» by the band Goblin was fighting for the same top positions, and it finished 1975 as the eleventh best-selling album in Italy. Its lead single, «L’alba», backed with «Vendo», also reached number two and stayed in the top ten for three months.

«Era già tutto previsto» was never released as a single, and at first it lived in the shadow of the title track. It grew slowly into one of the best-loved songs in Cocciante’s catalogue. It tells, in the first person, the end of a love affair seen from the side of the man who is left behind. The story moves through three stages, each opened by the same sentence that gives the song its title: a secret beginning, a painful conversation in the present, and a lonely ending at home. The narrator insists that he had seen everything coming, and the last lines reveal the one thing he had not been able to predict.

The song is built as a long crescendo. It begins quietly, almost as if he were talking to himself, and the arrangement and the voice rise together until the final lines are practically cried out. Cocciante’s rough, cracked tenor, which would become his trademark, carries the whole emotional weight of the piece. There is no refrain in the usual sense: the returning title line works as a hinge between the three parts, and each time it comes back the singer sounds a little more defeated.

For Cocciante the mid-1970s were the years in which his style took shape. Born in Saigon in 1946 to an Italian father and a French mother, he moved to Rome at the age of eleven and studied at the French lycée there. He started out as an organ player in Roman clubs and formed a band called GL6 with Marco Luberti and Paolo Casella, before launching his solo career in 1971 under the French name Richard Cocciante. The partnership with Luberti, who wrote and produced with him through this period, gave his early albums their mix of intimate storytelling and big orchestral sound.

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PT
NL
DE
felicihappyfelicesheureuxfelizesgelukkigglücklich

This card holds 4 more adjectives. You meet them when you play the song.

Verb forms

ITENESFRPTNLDE
erait waserac’étaiterahet wases war
previstoforeseenprevistoprévuprevistovoorzienvorhergesehen
ballandodancingbailandoen dansantdançandodansendtanzend
hai baciatoyou kissedhas besadotu as embrassébeijasteje hebt gekustdu hast geküsst
guardavahe was lookingmirabail regardaitolhavahij keeker schaute
raccontavahe was tellingcontabail racontaitcontavahij verteldeer erzählte
saiyou knowsabestu saissabesje kunt, je weetdu kannst
direto saydecirdiredizerzeggensagen
fareto dohacerfairefazerdoentun

This card holds 27 more verb forms. You meet them when you play the song.

The song has lived a second life in the twenty-first century. The director Paolo Sorrentino included it in the soundtrack of his film «Parthenope», released in Italian cinemas on 24 October 2024, a story set in Naples that follows a woman across several decades. The film introduced the song to many listeners who had not been born in 1975. In 2008 the singer Silvia Mezzanotte had recorded her own version on her album «Lunatica», and on 27 February 2026 Leo Gassmann and Aiello sang it together during the covers night of the Sanremo Festival.

Did you know?

The title works as a refrain even though the song has no chorus: the same sentence opens each of the three sections, and each time it frames a different moment of the story, first the past, then the present, then what is coming.

For learners of Italian the song is a compact lesson in narrating the past. The imperfect describes the background of the first scene, the passato prossimo marks single events, and the conditional perfect appears in its typical Italian role of expressing a future seen from the past, something he knew would happen. A present subjunctive also appears after the common structure for saying that someone needs a certain kind of person.

Marco Luberti, who produced «L’alba» and co-signed the song, had played with Cocciante in the band GL6 before either of them was known. Their collaboration, with Luberti also in the producer’s chair, shaped the sound and the storytelling of the singer’s early records.

Cocciante built an international career alongside his Italian one. As Richard Cocciante he recorded in French, and many of his albums were also released in Spanish; «L’alba» itself had a Spanish edition titled «El alba», and the album also circulated in Germany and, in its Italian version, in Venezuela.

A year after «L’alba» Cocciante reached number one in Italy for the first time with «Margherita» (1976), which became his signature song. In 1991 he won the Sanremo Festival with «Se stiamo insieme», and in 1998 he composed the music of the musical «Notre-Dame de Paris», whose recordings sold around ten million copies. He later wrote the musicals «Le Petit Prince» and «Giulietta e Romeo», and in 2013 he was a coach on «The Voice of Italy».

Leo Gassmann, who chose the song for the covers night of Sanremo 2026 with Aiello, is the son of the actor Alessandro Gassmann and the grandson of Vittorio Gassmann; the performance brought a song from 1975 to the most watched music event on Italian television.

Charts & streaming

«Era già tutto previsto» was an album track, not a single, so it has no chart history of its own from the 1970s. Its commercial story is the story of «L’alba»: the album reached number two on the Italian chart in 1975 and was the eleventh best-selling album of the year in Italy, while the single «L’alba / Vendo» also peaked at number two and spent three months in the top ten.

The song’s popularity has grown over the decades rather than at the time of release. It became a fixture of Cocciante’s concerts and collections, and after its use in Paolo Sorrentino’s «Parthenope» in 2024 it rose on streaming platforms, reaching listeners far younger than its original audience. The duet by Leo Gassmann and Aiello at Sanremo in February 2026 gave it another wave of attention.