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A2-

With or Without You

U2

Language
English
Released
1987
Genre
rock
Level
A2-
Difficulty score
531
Duration
4:56

How to study this song

“With or Without You” carries 14 English words, 4 adjectives and 19 verb forms — 37 study entries in all, graded A2-. Start with the glossary: stone, eyes and thorn come up again and again, so they are the ones to know first. This one leans on its verbs: 19 distinct forms against 4 adjectives, so conjugation is where the effort goes. At this level the goal is recognition: hear a word, place it, keep going.

The words of this song, in several languages

Every word below is taken from this song and translated by us. Nothing here is the lyric itself — these are the individual words you need in order to follow it.

Vocabulary

ENESITFRPTNLDE
stonepiedrapietrapierrepedrasteenStein
eyesojosocchiyeuxolhosogenAugen
thornespinaspinaépineespinhodoornDorn

This card holds 11 more words. You meet them when you play the song.

Adjectives

What this song teaches you

Level · A2-

Vocabulary words
14
Adjectives
4
Word combos
4
Expressions
13
Verb forms
19
Quiz questions
35

More English songs at this level

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  • World in My Eyes — Depeche Mode (1990)A2-
  • It Must Have Been Love — Roxette (1990)A2-

Background

About the song

«With or Without You» is the song that turned U2 from a successful rock band into one of the biggest acts in the world. It was released by Island Records on 16 March 1987 as the first single from «The Joshua Tree», the group’s fifth studio album, which had come out a week earlier. It is the third track on the record, and it was produced by Daniel Lanois and Brian Eno, the same pair who had worked with the band on «The Unforgettable Fire» three years before. Bono wrote the words, and the music is credited to the whole band.

The song took a long time to find its shape. It began as a rough demo recorded at the end of 1985 at the house of the drummer, Larry Mullen Jr., with a chord sequence that Bono had come up with. The first studio attempts went badly, and The Edge later admitted that he found those early versions very poor. The breakthrough came in 1986, during sessions at Danesmoate House, a Georgian house in Dublin that the band used as a studio. The Canadian musician Michael Brook had given The Edge a prototype of a device he had invented, the «Infinite Guitar», which lets a note ring on for as long as the player wants. The Edge recorded his part with it in only two takes, and that long, floating sound became the signature of the track.

Another important figure was the Irish singer and artist Gavin Friday, a childhood friend of Bono. When the producers had moved on to other songs, Friday kept working on this one with Bono, rearranged it and insisted that it could be a hit. The band’s manager, Paul McGuinness, was not convinced: he thought it sounded too strange for radio. Friday predicted a number one, and he turned out to be right.

The lyric is about a relationship in which the singer can find no peace. He is kept waiting, he feels trapped and hurt, and yet he cannot imagine his life without the other person either. Bono wrote it during a trip to the south of France in 1986, when he was trying to reconcile two sides of his own life: the travelling rock musician and the married man. Many listeners also hear a spiritual dimension in it, a struggle between surrender and resistance, and the long middle section about giving oneself up has been read both as a love confession and as a kind of prayer. The song never tells a story in detail; it works through images of pain, storms and waiting.

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ENESITFRPTNLDE
setengastado, fijoincastonato, fissoserti, fixéengastado, fixogezet, vasteingefasst, fest

This card holds 3 more adjectives. You meet them when you play the song.

Verb forms

ENESITFRPTNLDE
seemira, veguardavoisvêzieschau, sieh
setengastadaincastonatasertieengastadagezeteingefasst
twistse retuercesi torcese tordtorce-sedraaitwindet sich
i'll waitesperaréaspetteròj’attendraivou esperarik zal wachtenich werde warten
waitespere, esperoaspetti, aspettoattende, j’attendsespere, esperowachtwarte, ich warte
makeshacefafaitfazlaatmacht
reachllegamos araggiungiamoatteignonschegamos abereikenwir erreichen
givedasdaidonnesdásgeeftdu gibst

This card holds 11 more verb forms. You meet them when you play the song.

Musically it avoids the usual pattern of verse and chorus. Daniel Lanois compared it to the great Roy Orbison ballads, in which every section is different and the tension keeps rising. It opens with a very simple drum beat from Mullen, a synthesiser pattern played by Eno and a steady bass line from Adam Clayton, all built on four chords that are suggested rather than strummed. Bono starts singing in a low, almost conversational voice, lower than he had ever sung on record, and only near the end does he let his voice explode, before the song falls back into near silence. That slow build, from a whisper to a cry and back again, is the reason the song still works so well in huge stadiums.

For a learner of English the song is short and uses mostly simple words, but it is full of fixed expressions that native speakers use every day: a twist of fate, sleight of hand, a bed of nails, having your hands tied, having nothing left to lose, giving it all. It also offers clear examples of contractions such as «I’ll», «I’m», «can’t» and «she’s got», and of the reflexive pronoun «yourself», which Spanish, Italian or French speakers often translate too literally.

Did you know?

The Infinite Guitar that gives the song its sound was a hand-built prototype, and it was not well shielded: during the tours that followed, it sometimes gave electric shocks to the technicians who handled it.

The two music videos were shot in Dublin in February 1987 and co-directed by Meiert Avis and Matt Mahurin. The main one mixes shots of the band with abstract images of the dancer Morleigh Steinberg, who later married The Edge.

Bono has said that one of the influences on the song was «Climate of Hunter», the 1984 album by Scott Walker, the American singer famous for his deep, dramatic baritone.

On stage in the late 1980s the band often added extra lines that are not on the studio recording, and in later tours they sometimes slipped in a fragment of Joy Division’s «Love Will Tear Us Apart». The song has been played at almost every U2 tour since 1987, including every night of the U2 360° Tour and all forty shows of the 2023–2024 residency at the Sphere in Las Vegas.

Television gave the song a second life. In the sitcom «Friends» it became the musical theme of Ross and Rachel’s relationship, first heard in an episode of the second season in 1995. It was also used in the final episode of the spy series «The Americans» in 2018.

It is one of the most covered songs in U2’s catalogue, and in 2023 the band themselves recorded a new, stripped-down version for the album «Songs of Surrender».

Charts & streaming

«With or Without You» gave U2 their first number one in the United States. It entered the Billboard Hot 100 at number 64, reached the top on 16 May 1987 and stayed there for three weeks, spending eighteen weeks on the chart in total; it finished 1987 as the fifteenth biggest single of the year. It also topped Billboard’s Album Rock Tracks chart, and «The Joshua Tree» went on to win the Grammy for Album of the Year.

Elsewhere it reached number one in Ireland, in Canada and on the European Hot 100, number two in the Netherlands, number three in Flanders, number four in the United Kingdom and number nine in Australia. It was one of the first singles to be widely issued on compact disc.

The song has kept selling for decades. It is certified triple platinum in the United Kingdom, and platinum or multi-platinum in Germany, France, Italy, Spain, Denmark and New Zealand, among other countries. In March 2024 it became the first U2 song to pass one billion plays on Spotify. Rolling Stone placed it at number 131 in its 2004 list of the 500 greatest songs of all time, and its readers voted it the best single of 1987.